Thursday, January 31, 2008
Jesse Metcalfe is Desperate to Unload House in the Hills!
Out of work Desperate Housewife's actor Jesse Metcalfe is
Desperate to Unload House in the Hills!
SELLER: Jesse Metcalfe
LOCATION: Rodgerton Drive, Los Angeles, CA
PRICE: $1,495,000
SIZE: 3,919 square feet, 5 bedrooms, 5 bathrooms
DESCRIPTION: This HIP Celebrity Owned Mediterranean is the Perfect Party Pad, Big Family Home or Large Office, w/almost 4000 sq ft + bonus space. This Villa features fully updated kitchen, 5 Bds (2 w/own entrances + prvt. Apt.) 5 baths, 2 FP's, Dark hardwood floors and stone throughout. Huge Party/Rec Floor w/kitchen and own entrance. Media Rm w/Projector, Spacious LR, Dining. Gym. Large garage. Great Hollywood Sign View!
Soucre: http://realestalker.blogspot.com
Madonna "4 Minutes To Save The World"
The shooting of Madonna's video for "4 Minutes To Save The World" are going on at this very moment.Shooting with Timbaland and Justin Timberlake started yesterday January 30 in London, as previously reported, and will continue today and Saturday. We've been told to expect a lot of action and post production effects. Fashion accessories for the video have been created by Dolce & Gabbana.
Soucre: http://www.madonnatribe.com/news
Madonna Tops Forbes Female Entertainer 2007 List
1. Madonna - $72 million
2. Barbra Streisand - $60 million
3. Celine Dion - $45 million
4. Shakira - $38 million
5. Beyoncé - $27 million
6. Gwen Stefani - $26 million
7. Christina Aguilera - $20 million
8. Faith Hill - $19 million
9. Dixie Chicks - $18 million
10. Mariah Carey - $13 million
11. Hilary Duff - $12 million
12. Avril Lavigne - $12 million
13. Martina McBride - $12 million
14. Britney Spears - $8 million
15. Carrie Underwood - $7 million
16. Nelly Furtado - $7 million
17. Fergie - $6 million
18. Jennifer Lopez - $6 million
19. Sheryl Crow - $6 million
20. Norah Jones - $5.5 million
Source: www.forbes.com
Madonna Tops Forbes Female Entertainer 2007 List
1. Madonna - $72 million
2. Barbra Streisand - $60 million
3. Celine Dion - $45 million
4. Shakira - $38 million
5. Beyoncé - $27 million
6. Gwen Stefani - $26 million
7. Christina Aguilera - $20 million
8. Faith Hill - $19 million
9. Dixie Chicks - $18 million
10. Mariah Carey - $13 million
11. Hilary Duff - $12 million
12. Avril Lavigne - $12 million
13. Martina McBride - $12 million
14. Britney Spears - $8 million
15. Carrie Underwood - $7 million
16. Nelly Furtado - $7 million
17. Fergie - $6 million
18. Jennifer Lopez - $6 million
19. Sheryl Crow - $6 million
20. Norah Jones - $5.5 million
Source: www.forbes.com
Wednesday, January 30, 2008
Tuesday, January 29, 2008
Swallowtail Shawl v2.0
Thank you so very much for all your comments on the Pi Shawl Blanket - it really is a special pattern and a very special knit to have around. I highly recommend giving it a shot with any yarn you have lying around - it's very versatile. There were a number of questions that I received via e-mail about the shawl (mostly about the yarn and blocking) that I've done my best to answer at the conclusion of this post. I hope they are helpful!
And since we're already in a lacey state of mind, I figure I'd exploit this opportunity to introduce a finished project that has been waiting for a little blog coverage for months. If you've followed my knitting for any length of time, you know I prefer knitting lace in thicker weight wools - I think the beautiful stitch work combined with something a little more heavy duty is a winning combination and I always seem to come back to it. My second swallowtail is no exception.
This is a wonderful pattern and quite a popular one. I knit my first one in October '06 with lace weight and ever since wondered how those lacey bobbles would look in a dk weight. Of the two I think I prefer the thicker one, but they're both beautiful and have their own unique charms.
Thicker yarns give a great stitch definition but don't have as good a blocking memory as lace. I see this as an added advantage because it makes them that much more thick and snuggly. I'll often add a couple repeats in the lace pattern if possible when working with thicker yarns to compensate for this.
The yarn is wonderful - I snatched it up from a WEBS sale last year and had a great time working with it. It's not the wooliest of wools but it's got a bouncy, soft feel and a light sheen because of the silk that provides both elegance and warmth.
This was gifted in December an I'm happy it's getting some wear now that the daily temps here in New York are in the low 30's.
Pi Shawl Queries: A few additional details about my Pi Shawl to answer e-mails I've received.
First, more specifics about the color of the wool. I received this yarn as a gift from a friend in Iceland. She purchased the yarn there in person. Schoolhouse Press does sell this yarn, but in a limited palette - which I should have mentioned earlier - and does not currently carry the color that I used.
The color of my wool is titled Sea Green Heather and listed as product #1422 on the Istex official color card - viewable here. You'll notice they have a lot of wonderful colors! Don't say I didn't warn you.
In researching, we think that the best bet for possibly acquiring this yarn by mail order would be the Handknitting Association of Iceland, but can't say for sure. All of their contact information is available behind the link. NOTE: it seems that the colorcard listed on their site is an older version and sites Sea Green Heather as #9736.
Blocking: Yes, blocking was quite a challenge in our hardwood-floored, tiny apartment. I was hoping to be able to block the shawl on the queen-sized bed but realized very soon that this would not be possible. After some creative brainstorming, we tried a rather unconventional but nonetheless effective way of blocking - involving the box spring. The picture says it all.
And finally - a few of you asked if I worked with the unspun Icelandic wool single stranded or held it double stranded. I worked single stranded.
I hope that helps - I'll add this information as a post-script in the original post so everything is in one place. Happy knitting!
And since we're already in a lacey state of mind, I figure I'd exploit this opportunity to introduce a finished project that has been waiting for a little blog coverage for months. If you've followed my knitting for any length of time, you know I prefer knitting lace in thicker weight wools - I think the beautiful stitch work combined with something a little more heavy duty is a winning combination and I always seem to come back to it. My second swallowtail is no exception.
Pattern: Swallowtail Shawl by Evelyn Clark [Ravelry]
Source: Interweave Knits Fall 2006
Materials: Queensland Collection Uruguay DK (70 ex.fine merino, 20 alpaca, 10 silk) [Ravelry]
Amount: about 4.5 skeins (approx. 225 grams/560 yards) in "Mint" (#10)
Needles: US7/4.5mm Addi Turbo 32" Circulars
Started: April 2007
Finished: May 2007
Blocked: August 2007
Gifted: December 2007 (Phew!)
Source: Interweave Knits Fall 2006
Materials: Queensland Collection Uruguay DK (70 ex.fine merino, 20 alpaca, 10 silk) [Ravelry]
Amount: about 4.5 skeins (approx. 225 grams/560 yards) in "Mint" (#10)
Needles: US7/4.5mm Addi Turbo 32" Circulars
Started: April 2007
Finished: May 2007
Blocked: August 2007
Gifted: December 2007 (Phew!)
The color in this photo is the least accurate - a touch too green. The other photos are more true to actual color
This is a wonderful pattern and quite a popular one. I knit my first one in October '06 with lace weight and ever since wondered how those lacey bobbles would look in a dk weight. Of the two I think I prefer the thicker one, but they're both beautiful and have their own unique charms.
Thicker yarns give a great stitch definition but don't have as good a blocking memory as lace. I see this as an added advantage because it makes them that much more thick and snuggly. I'll often add a couple repeats in the lace pattern if possible when working with thicker yarns to compensate for this.
The yarn is wonderful - I snatched it up from a WEBS sale last year and had a great time working with it. It's not the wooliest of wools but it's got a bouncy, soft feel and a light sheen because of the silk that provides both elegance and warmth.
This was gifted in December an I'm happy it's getting some wear now that the daily temps here in New York are in the low 30's.
Pi Shawl Queries: A few additional details about my Pi Shawl to answer e-mails I've received.
First, more specifics about the color of the wool. I received this yarn as a gift from a friend in Iceland. She purchased the yarn there in person. Schoolhouse Press does sell this yarn, but in a limited palette - which I should have mentioned earlier - and does not currently carry the color that I used.
The color of my wool is titled Sea Green Heather and listed as product #1422 on the Istex official color card - viewable here. You'll notice they have a lot of wonderful colors! Don't say I didn't warn you.
In researching, we think that the best bet for possibly acquiring this yarn by mail order would be the Handknitting Association of Iceland, but can't say for sure. All of their contact information is available behind the link. NOTE: it seems that the colorcard listed on their site is an older version and sites Sea Green Heather as #9736.
Blocking: Yes, blocking was quite a challenge in our hardwood-floored, tiny apartment. I was hoping to be able to block the shawl on the queen-sized bed but realized very soon that this would not be possible. After some creative brainstorming, we tried a rather unconventional but nonetheless effective way of blocking - involving the box spring. The picture says it all.
And finally - a few of you asked if I worked with the unspun Icelandic wool single stranded or held it double stranded. I worked single stranded.
I hope that helps - I'll add this information as a post-script in the original post so everything is in one place. Happy knitting!
Sunday, January 27, 2008
Saturday, January 26, 2008
Thursday, January 17, 2008
The Pi Shawl (Blanket)
I know I said that I would be sharing small, Christmas knits with you first... but I finished this last week and have been too excited to keep it under wraps any longer. Of all my knitting projects, this one has got to be up there in my all-time favorites (despite it being my own personal Everest for the last three months). So good in fact, it's keeping me warm while I write - it's cold out there!
Notes on the pattern: Of all the many genius ideas of Elizabeth's, to me, the Pi Shawl is one of the most mind-blowing. If you aren't familiar with the pattern I urge you to read it, for the pure enjoyment of how clever it is in all its glorious simplicity. Worked from the center out, the entire piece has no more than 6 (or 7 in my case) increase rounds total - meaning 99% of this shawl is straight knitting (save whatever lacey embellishments you'd like to incorporate) which gets major points in my book.
The other beautiful thing about the Pi Shawl is its endless potential for individuality. Spend a little time trolling the web for completed Pi Shawls (there are hundreds) and you'll see what I mean. The beauty of the pattern is it's blank-canvas-like nature - consecutive rings of set stitch counts (144, 288, 576, etc.) which just beg you to plug in any old lace motif that's giving you an itch.
If you aren't feeling all that creative, or have your heart set on one of the versions EZ suggests (like I did) - that's just fine too. There are two beauties already laid out for you in both Knitter's Almanac and Knitting Workshop. I have always loved the straight forward and classic beauty of the 'consecutive YO ring' version and knew that I wanted to give it a go. This is basically a stockinette circular shawl with a *YO, k2tog* round thrown in every 6th row. I love how these "sham rows" completely camouflage the actual organic increase rounds. The shaping is invisible in the entourage of lace rings. So great!
Elizabeth talks about how there is never a need to increase beyond the 576 stitch section, as the shawl will already be nice and big (she says something about not having a need to cover a football field?). I had a lot of yarn though, and really wanted to see how far I could push this, with the ultimate goal of having a big blanket for the couch. My calculations showed that I would have enough wool for about 22 rows into the 1152 stitch section (oh the horror), plus an attached (9-stitch) garter side-to-side edging.
The most miraculous part of the whole process is probably that I was able to keep a treacherous number of stitches on a 36" circular needle. It got a little rough on my hands towards the end, but when that frantic finishing fever comes over you just about nothing can stand in your way, right? Having a huge round of knitting on a circular needle also makes it impossible to predict just how big the piece will be. Before working the edging, you have nothing more than a big rumpled sack of holey wool sitting in your lap that looks more like an oversized rasta cap than a lace blanket. Some days it took all my control to keep from bucking my calculations and indulging in the bind-off, just to be able to free the lace from the needles.
The edging of the shawl is the only section that got a little bit of fancy lace (not that fancy, but relatively). I think a little hint of laciness around the edge makes the simpler ring pattern really shine. After my final increase round I switched into a gull stitch pattern and worked 5 vertical repeats around before starting the attached garter stitch edging aaaaall the way around.
Some notes on yarn: Unspun Icelandic is a wonderful, wonderful thing. If you're a fan of wooly things, you must get your hands on some (I received mine as a gift from a friend in Iceland, but you can purchase it online through Schoolhouse Press). Don't get me wrong, this isn't a yarn you're gonna want around your neck - it's a far cry from merino - but it has its own unique qualities that I could go on and on about. First of all, because it's an unspun, long-stapled wool, it's as light as air and very warm. Even in a thin piece of lace full of holes, it works surprisingly well at trapping warmth. The blanket is huge and light and toasty -exactly the combination I was looking for. The other benefit is the yardage. Each wheel seems to go on and on and on - I made a blanket that covers a queen sized bed with less than 6 wheels of the stuff (it's about 300 yards to 3.5 oz) on a US 8.
And if you fear knitting with something so "delicate", you can get rid of that idea straight away. The wool staple is longer than the distance between your needle and your fingers, so while knitting it feels just like any other yarn, and if it does break coming out of the skein (rarely happened, unaided by dogs or human feet) it's no problem. The yarn sticks to itself like velcro - so to join a break just overlap about 2 inches on each end and knit right past it. That's the other bonus - no ends to weave in, and no spit splicing necessary. It's like knitting an 1800 yard cone - carefree and seamless. And to dispell any rumours, the knitted fabric is just as strong as any other yarn out there on the market.
I guess this counts as my first official finished knit of 2008. It's already taken some serious self-control to keep myself from purchasing more of this wool (the natural colors are amazing) and cast on for another. It became an immediate crowd-pleaser in my home, so another one might not be such a bad idea.
Edited to Add: The following information has been added to the post in response to questions I've received via e-mail about this project. I hope they are helpful.
First, more specifics about the color of the wool. I received this yarn as a gift from a friend in Iceland. She purchased the yarn there in person. Schoolhouse Press does sell this yarn, but in a limited palette - which I should have mentioned earlier - and does not currently carry the color that I used.
The color of my wool is titled Sea Green Heather and listed as product #1422 on the Istex official color card - viewable here. You'll notice they have a lot of wonderful colors! Don't say I didn't warn you.
In researching, we think that the best bet for possibly acquiring this yarn by mail order would be the Handknitting Association of Iceland, but can't say for sure. All of their contact information is available behind the link. NOTE: it seems that the colorcard listed on their site is an older version and sites Sea Green Heather as #9736.
Blocking: Yes, blocking was quite a challenge in our hardwood-floored, tiny apartment. I was hoping to be able to block the shawl on the queen-sized bed but realized very soon that this would not be possible. After some creative brainstorming, we tried a rather unconventional but nonetheless effective way of blocking - involving the box spring. The picture says it all.
And finally - a few of you asked if I worked with the unspun Icelandic wool single stranded or held it double stranded. I worked single stranded.
Pattern: The Pi Shawl by Elizabeth Zimmermann (on ravelry)
Source: Knitter's Almanac (July)
Materials: Ístex Plötulopi Unspun Icelandic Wool; just uner 6 wheels (1800 yards)*
Needles: 36-Inch US 8/5.0 mm Addi Turbo Circulars
Dimensions: 78" diameter after blocking; 64" diameter unblocked
*See bottom of post for additional details on yarn and blocking
Start Date: 19 October 2007
Finish Date: 9 January 2008
Source: Knitter's Almanac (July)
Materials: Ístex Plötulopi Unspun Icelandic Wool; just uner 6 wheels (1800 yards)*
Needles: 36-Inch US 8/5.0 mm Addi Turbo Circulars
Dimensions: 78" diameter after blocking; 64" diameter unblocked
*See bottom of post for additional details on yarn and blocking
Start Date: 19 October 2007
Finish Date: 9 January 2008
Notes on the pattern: Of all the many genius ideas of Elizabeth's, to me, the Pi Shawl is one of the most mind-blowing. If you aren't familiar with the pattern I urge you to read it, for the pure enjoyment of how clever it is in all its glorious simplicity. Worked from the center out, the entire piece has no more than 6 (or 7 in my case) increase rounds total - meaning 99% of this shawl is straight knitting (save whatever lacey embellishments you'd like to incorporate) which gets major points in my book.
The other beautiful thing about the Pi Shawl is its endless potential for individuality. Spend a little time trolling the web for completed Pi Shawls (there are hundreds) and you'll see what I mean. The beauty of the pattern is it's blank-canvas-like nature - consecutive rings of set stitch counts (144, 288, 576, etc.) which just beg you to plug in any old lace motif that's giving you an itch.
If you aren't feeling all that creative, or have your heart set on one of the versions EZ suggests (like I did) - that's just fine too. There are two beauties already laid out for you in both Knitter's Almanac and Knitting Workshop. I have always loved the straight forward and classic beauty of the 'consecutive YO ring' version and knew that I wanted to give it a go. This is basically a stockinette circular shawl with a *YO, k2tog* round thrown in every 6th row. I love how these "sham rows" completely camouflage the actual organic increase rounds. The shaping is invisible in the entourage of lace rings. So great!
Elizabeth talks about how there is never a need to increase beyond the 576 stitch section, as the shawl will already be nice and big (she says something about not having a need to cover a football field?). I had a lot of yarn though, and really wanted to see how far I could push this, with the ultimate goal of having a big blanket for the couch. My calculations showed that I would have enough wool for about 22 rows into the 1152 stitch section (oh the horror), plus an attached (9-stitch) garter side-to-side edging.
The most miraculous part of the whole process is probably that I was able to keep a treacherous number of stitches on a 36" circular needle. It got a little rough on my hands towards the end, but when that frantic finishing fever comes over you just about nothing can stand in your way, right? Having a huge round of knitting on a circular needle also makes it impossible to predict just how big the piece will be. Before working the edging, you have nothing more than a big rumpled sack of holey wool sitting in your lap that looks more like an oversized rasta cap than a lace blanket. Some days it took all my control to keep from bucking my calculations and indulging in the bind-off, just to be able to free the lace from the needles.
The edging of the shawl is the only section that got a little bit of fancy lace (not that fancy, but relatively). I think a little hint of laciness around the edge makes the simpler ring pattern really shine. After my final increase round I switched into a gull stitch pattern and worked 5 vertical repeats around before starting the attached garter stitch edging aaaaall the way around.
Some notes on yarn: Unspun Icelandic is a wonderful, wonderful thing. If you're a fan of wooly things, you must get your hands on some (I received mine as a gift from a friend in Iceland, but you can purchase it online through Schoolhouse Press). Don't get me wrong, this isn't a yarn you're gonna want around your neck - it's a far cry from merino - but it has its own unique qualities that I could go on and on about. First of all, because it's an unspun, long-stapled wool, it's as light as air and very warm. Even in a thin piece of lace full of holes, it works surprisingly well at trapping warmth. The blanket is huge and light and toasty -exactly the combination I was looking for. The other benefit is the yardage. Each wheel seems to go on and on and on - I made a blanket that covers a queen sized bed with less than 6 wheels of the stuff (it's about 300 yards to 3.5 oz) on a US 8.
And if you fear knitting with something so "delicate", you can get rid of that idea straight away. The wool staple is longer than the distance between your needle and your fingers, so while knitting it feels just like any other yarn, and if it does break coming out of the skein (rarely happened, unaided by dogs or human feet) it's no problem. The yarn sticks to itself like velcro - so to join a break just overlap about 2 inches on each end and knit right past it. That's the other bonus - no ends to weave in, and no spit splicing necessary. It's like knitting an 1800 yard cone - carefree and seamless. And to dispell any rumours, the knitted fabric is just as strong as any other yarn out there on the market.
I guess this counts as my first official finished knit of 2008. It's already taken some serious self-control to keep myself from purchasing more of this wool (the natural colors are amazing) and cast on for another. It became an immediate crowd-pleaser in my home, so another one might not be such a bad idea.
Edited to Add: The following information has been added to the post in response to questions I've received via e-mail about this project. I hope they are helpful.
First, more specifics about the color of the wool. I received this yarn as a gift from a friend in Iceland. She purchased the yarn there in person. Schoolhouse Press does sell this yarn, but in a limited palette - which I should have mentioned earlier - and does not currently carry the color that I used.
The color of my wool is titled Sea Green Heather and listed as product #1422 on the Istex official color card - viewable here. You'll notice they have a lot of wonderful colors! Don't say I didn't warn you.
In researching, we think that the best bet for possibly acquiring this yarn by mail order would be the Handknitting Association of Iceland, but can't say for sure. All of their contact information is available behind the link. NOTE: it seems that the colorcard listed on their site is an older version and sites Sea Green Heather as #9736.
Blocking: Yes, blocking was quite a challenge in our hardwood-floored, tiny apartment. I was hoping to be able to block the shawl on the queen-sized bed but realized very soon that this would not be possible. After some creative brainstorming, we tried a rather unconventional but nonetheless effective way of blocking - involving the box spring. The picture says it all.
And finally - a few of you asked if I worked with the unspun Icelandic wool single stranded or held it double stranded. I worked single stranded.
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